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Avoiding Tension from Stretching in Broken Octaves, Unreachable Chords, and Complex Patterns
The Golandsky Institute
Jul 5, 2020
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Golandsky Institute Online Workshop: Robert Durso answers questions
Correct Seating at the Piano, How to Begin to Develop the Fingers, Hand & Forearm Together as a Unit
PREVIEW: Problem-Solving in Action: Large Chords in Jazz
Problem-Solving in Action - The B Major Scale
Easy Technique Fix: Broken Octaves & Chords in Beethoven, Schumann and Liszt
Choreography of the Hands: The Work of Dorothy Taubman
Preventing Tension With the Taubman Approach (By Edna Golandsky)
Problem Solving in Action: How To Correctly Play A Scale
PREVIEW: When Rotation Meets In and Out
Instructional video with Edna Golandsky: Octaves without stretching
Working with an injured pianist: How to connect the fingers to the hand and forearm?
Introduction to the Taubman Approach to Piano Playing
Golandsky-Durso Session
The Taubman Approach to Technique & Musicality (ft. Edna Golandsky)
Part 3 -- Choreograph of the Hands: The Work of Dorothy Taubman
Trills and broken octaves with Edna Golandsky.
Part 1--Choreography of the Hands: The Work of Dorothy Taubman
Edna Golandsky: Playing arpeggios.
Masterclass at DPA, London – UK Arpeggios and Scale Crossings
PREVIEW: Streamlining Your Chord Playing