Home
Characteristics of Late Romantic Harmony (Book 3, CH 26)
Brian Kehlenbach
Nov 1, 2021
63,709 views
Chopin Mazurka in f# minor, an analysis (Book 3, CH 26)
Four Modulation Types in One Beethoven Piece! (Book 3, CH 19)
The Mesmerizing Harmony of Wayne Shorter
Variation: 14 Ways to Compose with One Idea
Intro to the Romantic Period of Classical Music
General Principles of Modern Harmony
How Chopin Creates Emotion in his Music - Composer Insights
How to: modulation per sequence
Songs that use Chromatic Mediant chords
Late Romantic Style - Composing for the Piano
Applied Harmony #42 - Linear Chromatic Chords Part 1
chromatic harmony
How to practice transforming themes, scalar mapping
The Greatest Chord Progression In Classical Music
Music Theory Lecture: How To Use Modulations Part 1
how to harmonise a melody like a romantic composer
Why Top Composers Use Chromatic Mediant Modulations
How Chopin Approaches a Harmonic Climax / Chromatic Mediants / Ger6+
Desire in Chromatic Harmony: Neofunctionality in Wagner’s Tristan und Isolde
Chromatic Mediants | A film composer's favourite weapon?