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The Island (2005) Climax Explained in Hindi
A man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.
The Island is a 2005 American science fiction action thriller film directed and co-produced by Michael Bay. It stars Ewan McGregor, Scarlett Johansson, Djimon Hounsou, Sean Bean, Michael Clarke Duncan and Steve Buscemi. The film is about Lincoln Six Echo (McGregor), who struggles to fit into the highly structured world in which he lives, isolated in a compound, and the series of events that unfold when he questions how truthful that world is. After Lincoln learns the compound inhabitants are clones used for organ harvesting as well as surrogates for wealthy people in the outside world, he attempts to escape with Jordan Two Delta (Johansson) and expose the illegal cloning movement.
The Island cost $126 million to produce. The original score was composed by Steve Jablonsky, who would go on to score Bay's further works. It opened on July 22, 2005, to mixed reviews, earning $36 million at the United States box office and $127 million overseas for a $162 million worldwide total.

Ewan McGregor as Tom Lincoln / Lincoln Six-Echo
Scarlett Johansson as Sarah Jordan / Jordan Two-Delta
Djimon Hounsou as Albert Laurent
Sean Bean as Dr. Merrick
Michael Clarke Duncan as Jamal Starkweather / Starkweather Two-Delta
Steve Buscemi as James "Mac" McCord
Kim Coates as Charles Whitman
Ethan Phillips as Jones Three-Echo

Box office
The Island grossed $12,409,070 in over 3,100 theaters its opening weekend. The film went on to gross $35,818,913 domestically and $127,130,251 in foreign markets, for a worldwide total of $162,949,164.
Ultimately, the film was considered a box office bomb, which Edward Jay Epstein of Slate blamed on poor publicity.[8] Epstein notes that research polls showed little awareness of The Island's impending release amongst its target audience and that trailers bore little relation to the film's plot. He writes, "What really failed here was not the directing, acting, or story (which were all acceptable for a summer movie) but the marketing campaign."

Critical reception
The Island drew mixed reviews from critics. The review-aggregation website Rotten Tomatoes gives a score of 40%, with a weighted average of 5.35 out of 10 based on reviews from 200 critics. The website's "Critics Consensus" calls the film " clone of THX 1138, Coma, and Logan's Run" and describes it as "another loud and bombastic Michael Bay movie where explosions and chases matter more than characters, dialogue, or plot."[11] On Metacritic, the film received "mixed or average reviews," with a weighted average of 50 out of 100 based on 38 critics.
Chicago Sun-Times' Roger Ebert said, "[the first half] is a spare, creepy science fiction parable, and then it shifts into a high-tech action picture. Both halves work. Whether they work together is a good question." He gave the film three out of four stars and praised the performances of the actors, in particular Michael Clarke Duncan: "It has only three or four scenes, but they're of central importance, and he brings true horror to them." On the critical side, he said the film "never satisfactorily comes full circle" and missed the opportunity "to do what the best science fiction does, and use the future as a way to critique the present."
Variety's Justin Chang called the film an "exercise in sensory overkill" and said that Bay took on "the weighty moral conundrums of human cloning, resolving them in a storm of bullets, car chases and more explosions than you can shake a syringe at." He noted McGregor and Buscemi as highlights of the film, along with Nigel Phelps' production design. However, he felt the story lacked in surprises and blamed "attention-deficit editing by Paul Rubell and Christian Wagner" for action sequences that he thought lacked tension and were "joltingly repetitive".
Salon's Stephanie Zacharek also praised the actors but felt that when the film "gets really interesting, Bay thinks he needs to throw in a car crash or a round of gunfire to keep our attention." She felt the film had enough surprises "to make you wish it were better." Similarly, The New York Times' reviewer A.O. Scott said, " film is smarter than you might expect, and at the same time dumber than it could be." Reviewers were critical of the excessive product placement in the film.

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